“There were days when she was
very happy without knowing why. She was happy to be alive and breathing, when
her whole being seemed to be one with the sunlight, the color, the odors, the
luxuriant warmth of some perfect Southern day. She liked then to wander alone
into strange and unfamiliar places. She discovered many a sunny, sleepy corner,
fashioned to dream in. And she found it good to dream and to be alone and
unmolested.
There were days when she was
unhappy, she did not know why – when it did not seem worth while to be glad or
sorry, to be alive or dead; when life appeared to her like a grotesque
pandemonium and humanity like worms struggling blindly toward inevitable
annihilation." - Kate Chopin, The Awakening
This passage makes me long for
spring, for long walks through trees bursting with green and long naps among budding
dandelions and long talks on sun-warmed shingles, for a time when I’ll know
what job I’ll leave for in the morning and what apartment I’ll be coming home
to at night. This passage also makes me dread more winter days to come, fat
gray clouds hiding the sun and spitting down on me as I hurry through the
streets to the class I’m late to that will probably bring down my GPA and then
I won’t be eligible for that scholarship and then I’ll graduate broke and
jobless, clutching a piece of paper that claims I can write children’s books
and maybe make pretty things with computers. This passage brings to mind the color yellow: the color of sunshine and sunflowers and eggs sunny side up; the color they say no true artist likes because artists should be dark and melancholy and winterlike, full of blues and grays and blacks and maybe reds but never ever yellow. Well I say screw them because yellow is the color of light peeping through my bedroom blinds after a winter night wrapped in melancholy like blankets, and I would choose those bright lemony petals over suffocating grayness any day.
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